John Madden	...	(Director)
	...	(Writer)
John Thaw	...
Kevin Whately	...
Colin Dexter	...
James Grout	...
Peter Woodthorpe	...

Summary: Promised land begins, rather unpromisingly, with Morse and Strange observing a funeral and identifying in the grand tradition of detective movies the villains. A nod to the old Thaw series, the Sweeney, the show continues in this vein for a while as the boundaries are established, of getting the final villains, the possibility of a gang's release.
Morse is ordered to revisit a supergrass to try to uncover evidence which would resolve both the issues. The snitch has begun a new life in the equivalent of the witness protection scheme so everything appears to be straightforward.
On the eve of their departure, Lewis is more than a little miffed at having to forego his vacation, a burglary occurs at the local freesheet newspaper and in the grand Holmesian tradition, nothing is stolen.
Off our intrepid heroes set for Lewis to discover that the person they are visiting was transplanted to Australia.
There are some spectacular shots of the countryside which dwarf the car that they are driving and which serves to give a sense of perspective on the vastness of the country. In a vignette Morse discovers that he has not brought his beloved opera tape with him to play on the long drive. Lewis, searching for an alternative discovers country music, Australian style, on the radio. This again underscores the notion of Australia as a new country shaking off her connections to Britain.
On arriving at their destination the sterotypical portrayal of Australian men as boorish, gambling, womenisers is presented in a scene where Morse and Lewis venture into the local bar. In a very funny moment, Lewis orders a beer while Morse contents himself with an orange juice - a reversal of the usual position - which moves on to a condemnation by Morse of non-real ale and a perception by the locals that Morse is possibly homosexual.
The plot develops with a mysterious stranger driving a camper, the stoolie's wife is both hostile and yet welcoming. Her husband has disappeared, nothing new in that, and Morse and Lewis expend considerable energies in the search.
As the programme develops the stereotypical views of the country and it's people are challenged and they are shown to be warm, sociable, and open minded.
In the conclusion, in front of the Sydney Opera House, Lewis has resolved his issues by remaining in Australia to be joined by his wife. Morse is left in solitude with his ticket to the opera, a tragic figure who is unable to articulate his feelings.
This Morse does not have the usual twists and turns and in many ways is one of the most approachable of the shows. Regardless it is still terrific entertainment and well worth the five stars.