Bad Timing
Bad Timing Image Cover
Additional Images
Director:Nicolas Roeg
Studio:Criterion
Rating:4
Rated:R
Date Added:2007-02-15
Last Seen:2017-09-24
ASIN:B00005JMVQ
UPC:0715515016520
Price:29.95
Genre:Suspense
Location:0414
Duration:122
Picture Format:Widescreen
Aspect Ratio:2.35:1
Custom 1:Copied
Nicolas Roeg  ...  (Director)
  ...  (Writer)
 
Art Garfunkel  ...  
Theresa Russell  ...  
Harvey Keitel  ...  
Denholm Elliott  ...  
Daniel Massey  ...  
Dana Gillespie  ...  
William Hootkins  ...  
Eugene Lipinski  ...  
George Roubicek  ...  
Stefan Gryff  ...  
Sevilla Delofski  ...  
Robert Walker (VIII)  ...  
Gertan Klauber  ...  
Ania Marson  ...  
Lex van Delden  ...  
Rudolf Bissegger  ...  
Hans Christian  ...  
Ellan Fartt  ...  
Fritz Goblirsch  ...  
Nino LaRocca  ...  
Summary: A choppy, unsettling meditation on sexual obsession, Nicholas Roeg's Bad Timing stars Theresa Russell and Art Garfunkel as Milena and Alex, two lovers pursuing a torrid relationship in late-1970s Vienna. The movie opens with Milena being rushed to the hospital for an apparent suicide attempt. Alex, a psychology professor, proceeds to play it cool as he's questioned by Inspector Netusil (Harvey Keitel). As Milena fights for her life on the operating table, the story of how she and Alex came together is revealed in startlingly raw passages of lust and bursts of raw emotion. Roeg throws the narrative out of joint with flashbacks and jarring editing, skillfully turning this story of a love affair into a mystery. The scene in which Milena aggressively seduces Alex on a stairwell is a bravura, gutsy performance from Russell. What's even more startling is the odd casting of this film. After all, that is the bare backside of the guy who most famously provided harmonies on "Scarborough Fair." Roeg, clearly enamored with casting musicians in lead roles (David Bowie in The Man Who Fell to Earth and Mick Jagger in Performance) also approaches the editing of the film as though it were music, with abrupt, discordant cuts and strange juxtapositions. The film--of a tradition of sexually frank films like Bertolucci's Last Tango in Paris--is yet another reminder of how deeply filmmakers of the '70s were willing to mine human emotions, especially unpleasant ones. -- Ryan Boudinot